The title is disjointed, just like the broken narratives and fragments the works themselves present in an exhibition first shown in Poznań. The exhibition DE.FI.CIEN.CY brings together the drawings of Andrzej Wróblewski (1927-57) and contemporary artists René Daniëls and Luc Tuymans. The mind skips from one thing to another. What connects drawings made in Poland in the late 1940s and 50s, in Amsterdam in the 1980s and in Antwerp from the late 70s to today isn’t clear, though there are affinities and echoes everywhere. One thing leads to another in the 58 drawings currently at the Drawing Room in south London: a constellation of discs, a cake, a self-portrait. S pring blossom a row of decapitated heads a black ship on a dark sea.
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